Nicknamed “Conchita” after the great Rossini mezzo Conchita Supervia by Nico Castel of the Metropolitan Opera, Natalie Wilson is emerging as an exceptional talent in the grand tradition of bel canto mezzo-sopranos. In the words of Frederica von Stade, with whom Ms. Wilson has worked privately, “she has a lovely instrument and is obviously a very committed and talented young performer.”

Possessing a unique voice of exceptional agility, color, and range, Ms. Wilson is a specialist in the bel canto coloratura repertoire of Handel and Rossini. Her expertise is highlighted by her study and performance of such roles as Xerxes and Radamisto (Handel), and Rosina and La Cenerentola (Rossini). Her repertoire also includes performances as Sesto (La clemenza di Tito), the title role in Carmen, and Prince Orlofsky (Die Fledermaus). An engaging actress, Ms. Wilson has charmed audiences in musical comedy roles such as Desiree Armfeldt (A Little Night Music) and Pitti-Sing (The Mikado). She sings with regional companies spanning both coasts, such as the One World Symphony, Opera San Jose, North Bay Opera, Berkeley Opera, and San Diego Comic Opera. Ms. Wilson is also currently on the roster of Opera on Tap, a collection of singers in New York City committed to bringing opera to the masses by performing in non-traditional venues.

Ms. Wilson studies with E. Randolph Mickelson, Nico Castel, and Carol Castel. She now resides in Manhattan where she teaches voice at the SUNY Long Island Conservatory in addition to her active performing career. Aside from music, she practices yoga and the healing art of Reiki. She and her husband Dan also regularly participate in Burning Man, Nevada's unique art festival.

Press

“Orlofsky (Natalie Wilson) is 17 years old and already afflicted with terminal boredom.... Wilson affects a catch in her voice that gives the Prince a distinctive adolescent tone. He may be bored, but enacting the role, Wilson is never boring.”
- Marilyn Mantay, The Daily Republic, March 2004

“Never have I heard a ‘Send in the Clowns’ as poignantly or excellently delivered than by Natalie Wilson, in the role of Desiree Armfeldt. Her performance brought many in the audience to tears....”
- Mark Alburger, Twentieth Century Music, December 2003

“Desiree (Natalie Wilson) was another bright light, combining classic beauty, comic timing, and a delightful voice in a touching
portrayal....”
- Eric Barnes, San Francisco Observer, November 2003

“Wilson sang arias from 'Carmen' in gloriously seductive style. Her 'Seguidillia could enchant men more aloof than Don Jose. Her 'Children Will Listen', a Sondheim piece, was also very moving.”
- Marilyn Mantay, The Davis Enterprise, September 2000

“Another solid acting performance was turned in by mezzo-soprano Natalie Wilson, ...possessing a very rich voice.”
- Mark Jackson, The Tracy Press, November 1999